Time unfolds as an unending sequence of images—fleeting, layered, and continually reassembled through memory. Recollection, shaped by emotion and shifting perspectives, becomes a site of constant transformation, where narratives remain open, provisional, and incomplete.

At 22, filmmaker Tan Pin Pin traveled to China to trace her cultural roots. Today, this journey re-emerges as Someday (总有一天)—an exquisite, calendar-like work of tactile prints that invite audiences to touch, handle, and unfold each page, gradually revealing 80 intimate photographs. In dialogue with this, artist Shi Yangkun revisits the same year through archival found footage in A Glimpse of Singapore (1991). Reframed through contemporary lenses, his multi-channel video offers a poignant view shaped by state narratives and mediated observation.

Together, these works approach 1991 not as a singular history, but as a constellation of perspectives—personal and collective, remembered and constructed. They invite us to consider how images endure, and how they continue to shape the stories we tell.