UNDESCRIBED #10

DATE
25 APR 2025 – 17 AUG 2025
VENUE
Guoco Midtown Public Art Wall
ADMISSION
Free
About
Undescribed is an annual platform dedicated to supporting emerging artists based in Singapore who have recently graduated from both local and overseas art institutions. The exhibition showcases works that challenge and redefine contemporary image-making practices, offering fresh perspectives on photography and the moving image in art today. Led by renowned artist Robert Zhao Renhui and DECK Director Gwen Lee, the programme nurtures fresh talent in the field.
Marking its tenth edition, Undescribed #10 presents compelling works by Luna Chang, Sarah Noorhimli, Tan Wei, and Renee Yeo.
Marking its tenth edition, Undescribed #10 presents compelling works by Luna Chang, Sarah Noorhimli, Tan Wei, and Renee Yeo.
Event details
OPENING RECEPTION
25 APR (Friday), 7PM – 9PM
OPENING HOURS
Mon – Sun : 8AM – 10PM
Guoco Midtown Public Art Wall
DIRECTIONS
By Train —
via underpass from Bugis MRT station Exit F (Downtown Line) towards Guoco Midtown
By Car —
Park at Guoco Midtown and take escalator in front of office entrance towards underpass leading to MRT
Browse Works
←
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Featuring

Luna Chang
Artist
Luna Chang (b.2001, Singapore) is a multidisciplinary artist specialising in screen-based and lens-based media. Their work explores the intersections of identity, gender, (e)mortality, and the digital realm, focusing on technology as a tool for agency and resistance. Their current practice examines the self and the human body in relation to authority, healing, and intimacy. Luna’s current interests post-graduation include making photobooks, deep-diving into the history of image making, and exploring new ways of presenting photography.
Luna holds a Bachelor’s Degree with first-class honors in Fine Arts (LASALLE College of the Arts, 2024) and was one of ten recipients of the Winston Oh Travelogue Award for the graduating cohort of 2024. Coming from a Diploma in Arts Business Management (Ngee Ann Polytechnic, 2021), Luna’s interests lie in exhibition management, programming and accessibility. They have brought their expertise to institutions such as DECK, Singapore Art Museum, National Gallery Singapore, Gagosian, and the Singapore Pavilion at Biennale di Venezia 2024.
Luna holds a Bachelor’s Degree with first-class honors in Fine Arts (LASALLE College of the Arts, 2024) and was one of ten recipients of the Winston Oh Travelogue Award for the graduating cohort of 2024. Coming from a Diploma in Arts Business Management (Ngee Ann Polytechnic, 2021), Luna’s interests lie in exhibition management, programming and accessibility. They have brought their expertise to institutions such as DECK, Singapore Art Museum, National Gallery Singapore, Gagosian, and the Singapore Pavilion at Biennale di Venezia 2024.

Sarah Noorhimli
Artist
Sarah Noorhimli (b, Singapore, 2001) has built a body of work that attests to the temporality of the human body in an environment of rapid urbanisation. She sifts through her personal image archive and appropriates references from film to conceive a hybrid form of speculative
nostalgia. Her practice presents itself as a dreamscape, emanating feelings of familiarity and discomfort, where she collaborates with the computer to create technologically-contaminated images.
She recently received her Bachelor of Fine Arts (First Class Honours) from LASALLE College of the Arts, Singapore. She has exhibited and curated under her institution, was recently nominated for the International Takifuji Art Award in 2022 and a recipient of the Winston Oh Travelogue Award in 2024.
nostalgia. Her practice presents itself as a dreamscape, emanating feelings of familiarity and discomfort, where she collaborates with the computer to create technologically-contaminated images.
She recently received her Bachelor of Fine Arts (First Class Honours) from LASALLE College of the Arts, Singapore. She has exhibited and curated under her institution, was recently nominated for the International Takifuji Art Award in 2022 and a recipient of the Winston Oh Travelogue Award in 2024.

Renee Yeo
Artist
Renee Yeo (b. 1999) is a Multi-Disciplinary Artist born and based in Singapore. Notable works include "My Ah Gong is Kinmenese" (2024), a research film project that examines cultural hybridity. This film is part of the 2025 official selection of the Kuala Lumpur International Film Academy Awards. Renee explores the fluidity of identities within the context of cultural hybridity. Incorporating both personal memories and cultural elements, her artistic practice delves into the intricate interplay between individual identity and collective heritage.
With a diverse body of work encompassing art installations, photography, and films, Renee's creative journey unfolds as a reflection of how identities shift and transform over time. Themes of family and belonging recur throughout her work, serving as a constant thread that ties together narratives of cultural heritage and personal experience. Renee aims to emphasise the fluidity of identities, inviting viewers to engage in a dialogue about the ever-evolving nature of self and society.
With a diverse body of work encompassing art installations, photography, and films, Renee's creative journey unfolds as a reflection of how identities shift and transform over time. Themes of family and belonging recur throughout her work, serving as a constant thread that ties together narratives of cultural heritage and personal experience. Renee aims to emphasise the fluidity of identities, inviting viewers to engage in a dialogue about the ever-evolving nature of self and society.

Tan Wei
Artist
Tan Wei [Singapore, b. 1997] is a curator and visual artist who works spatially across a diverse breadth of mediums and depth. Rooted in her practice of storytelling, her practice focuses on the fundamental construct of our reality and being that she experiences as part of the ordinaries in everyday living. Through the reconstruction of her observations in everyday living, she hopes to invite audiences into the ever manifold theatre of the mind to consider, the ways in which we may be similar or otherwise, differ. Where she seeks ultimately, to create works that would strike a resonating chord with the audience or otherwise, sets the stage for the audience to contemplate upon the synchronicity or lack thereof within otherwise mundane living experiences.